Monthly Archives: August 2010

The Fervor @ ear x-tacy (08.19.2010)

filled my soul with a little rock and roll tonight, and it felt good.

the local band, the fervor played a set @ ear x-tacy tonight, this was my first time seeing them live. while wasn’t very familar with them, i had heard a lot of good things about their live sets and i picked up their first cd, “bleeder” a couple of weeks ago and have enjoyed it, so i was really looking forward to the set. they delivered a great set and lived up to the billing and expectations.

they played about a 45 minutes, a nice mix of good guitar driven rock, with a nice little pop vibe, mostly stuff from “bleeder” with a little new music from a record that is currently in the works.

and once again, kudos and thanks to ear x-tacy for continuing to put live music, especially that of local and independent artists out there.

i’m looking forward to the next time…

the fervor is:
natalie felker: vox, keys
ben felker: guitar, bass, vox
mat herron: drums, vox
michael campbell: bass

find out more: the fevor

New Additions to the Music Collection

“everywhere i go,” from “catching a tiger,” this is possibly the most incredible live performance i have seen i quite a while…

lissie: catching a tiger

an excellent follow-up to her ep “why you runnin’,” a little bit of a “poppier” vibe than most of the music of her’s that i have heard so far, but my first impression after a single listen, this is a helluva record that’s gonna get a lot of listening from me.

and while this isn’t on the record, i cannot express the talent that is required by someone who can make me enjoy a lady gaga song.

tim easton: porcupine

another excellent effort from the immensely under-rated tim easton. everytime i listen to something this guy does, it immediately jusps to the top of my most played list.

some how, porcupine slipped passsed me when it was first released, so i’ve got some lost time to make up for on this one.

you can tell from the opening notes of the first song “burgundy red” that it’s something special…

tim discussing the record w/lucinda williams

Over the Rhine, Update, THE LONG SURRENDER, September Concerts, Conversations on a Musical Train

as anyone that knows me well is aware, over the rhine is my favorite band and i consider myself blessed to know karin, linford as good friends as well.

i look forward to and greatly enjoy linford’s long and rambling letters, which he sends out several times a year as updates to fans and friends on what’s happening with them, usually personally and professionally.

back in the “olden days” (for you kids out there, before e-mail and the web were so prevalent), he used to handwrite these, xerox them and mail them out to their fans. that was even more enjoyable to read, technology isn’t always a good thing.

sit back, kick your feet up and enjoy…

Hello friends,

If you knew how many times I have sat at my desk to start a letter to you all, you would laugh. Sometimes life is too big to write down, too saturated with significance, too sad, too happy, too much.

The truth is, I could have written many different letters, all too long. Scraps of them surround me here and there in the piano room, like a patchwork quilt that unraveled.

I have written about our time with Joe Henry and the amazing musicians he gathered in South Pasadena. The time we spent recording THE LONG SURRENDER, our yet-to-be-released new offering of Over the Rhine songs, how it felt like Joe put everything on a train, all the surprising things we saw out the windows as we rolled through the night, the rumble and the rhythm. (Or did Joe put the songs out to sea? It did feel like something hard to quantify was captured. We had to hit the lifeboats a few times, but yes, Joe got us all somehow safely back to shore, grinning.)

Suffice it to say we are anxious to share the music with you, and maybe you can help us describe what happened after you hear for yourself.

THE LONG SURRENDER is being mastered this week. (We thought we had it awhile back but then realized we were still in the hunt. A few final touches still to go.) We are busy, busy getting it all dressed up and ready to let go in the world. The official release date is 1/11/11, but of course there will be plenty of foreshadowing along the way, and those of you who pitched in to make it all happen will hear it much sooner.

We are grateful to all of you and grateful to be (almost) holding the record we couldn’t imagine in advance, the seams blown out of the songs, the roof blown off the house of our catalog, only the sky above.

And I have written about my Uncle Rudy passing away, my uncle who as a boy, hid an acoustic guitar in the haymow of the barn, and a secret accordion under the horses’ manger. How my brother Myron and I drove to Northeast Ohio to pay our respects and discovered after we had signed the register and sent our flowers on ahead to be placed by the casket that we had arrived at the wrong funeral. (How Uncle Rudy would have laughed!) We eventually found the right church, passing Amish buggies along the way. My cousin William took our breath away because he looked so much like my father it was like seeing a vision. And finally, as we were walking out into the evening air to drive home, I noticed the barn swallows were flying, flying in circles and figure eights above the roof of the wooden church where Rudy lay, darting back and forth and round and round as if they loved the feel of whatever it was they were slicing with their wings.

Something felt good on their wings.

I have written about being asked to deliver my first college commencement address in Eugene, Oregon, and of the short trip down the coast we took afterwards to touch base with Karin’s side of the family, staying up late with her Aunt Nor in the kitchen, looking at old black and white photographs and hearing the old family stories, gathering around the piano to sing some harmonies, reconnecting with Karin’s sister Rose, and my sister Frances and their families, and of course, many of the Swedish, San Francisco cousins.

I have written about saying goodbye to our (great) Great Dane, Elroy, our intuitive, beautiful companion, our very own Great Speckled Dog, the few-thousand-plus walks we took together over the years, that quiet communion and deep connection. We miss him. Karin had always prayed that we would be home when Elroy’s time came, and somehow that prayer was answered. We were able to say, Goodbye. Thank You.

I have written about our recent trip to Santa Fe and the weeklong songwriting workshop Karin and I lead there, the other writers and poets and painters we have come to call friends because of The Glen Workshop, how we learn from our students, the small miracles we witness there throughout the week. (And thanks to all who welcomed Karin and I at our performances in Albuquerque. New Mexico has become a very special part of the world to us. More a little further down on the train ride we have planned in that part of the world.)

Yes, I have run out of space in these letters to say what I need to say. I need to begin thinking about the pages of a book or two to make room for more. A place with a little more elbow room where I’m not imposing…

Know that we think of all of you often, and look forward to some face time hopefully soon.

Yes, we do want to catch you up on some specific Over the Rhine news.

We are preparing to air out songs new and old, engage in a little evening conversation, be surprised by laughter.

We hope we can be together.

Soon.

Love from Nowhere,

Linford and Karin

SEPTEMBER 2010 CONCERTS:

Sept 4, Saturday, Pagosa Springs, Colorado, FOUR CORNERS FOLK FESTIVAL

Sept 5, Sunday, Denver, Colorado, SOILED DOVE

Sept 7, Tuesday, Omaha, Nebraska, THE WAITING ROOM

Sept 8, Wednesday, Kansas City, Missouri, CROSSTOWN STATION

Sept 10, Friday, Nashville, Tennessee, MERCY LOUNGE (as part of Americana Music Festival, wrist band required)

OUR FAVORITE OUTDOOR VENUE:

Sept 11, Saturday, Cincinnati, Ohio, CONEY ISLAND MOONLIGHT GARDENS.

Join Over the Rhine down by the Ohio River in this lovely, hometown, historic setting, one of our all-time favorites, as we bid farewell to summer under the stars with an extended evening of songs, accompanied by an orchestra of cicadas, crickets and katydids.

POUR ME A GLASS OF WINE/More SEPTEMBER 2010 DATES:

Sept 16, Thursday, New York City, New York, CITY WINERY

Sept 17, Friday, Philadelphia, Pennsylania, WORLD CAFÉ LIVE

Sept 18, Saturday, Centreville, Virginia, VIRGINIA WINE FESTIVAL

Sept 19, Sunday, Centreville, Virginia, VIRGINIA WINE FESTIVAL

(More dates listed at OvertheRhine.com)

 

Over the Rhine, CONVERSATIONS ON A MUSICAL TRAIN

FOR IMMEDIATE RELEASE:

(We’ll be sending out a few more official notices RE the following, but wanted to give you the jump while the paint is still fresh…)

November 5-10, 2010

We have finalized the line-up for our musical train ride in November!

In an extravagant gesture, in an attempt to do something hopefully unforgettable, we are gathering some of our favorite people together and putting them on a train through the sacred spaces of the American Southwest. We are going to pour a glass of something good, and watch you fall in love. There will be music and conversation and much more.

We will hop off the train in Santa Fe and explore, we will eventually even peer over the edge of the Grand Canyon – take that elusive family vacation together.

There are 45 total tickets available. We hope you can join us. (The train leaves from Los Angeles. Check out OvertheRhine.com for more.)

ON BOARD:

OVER THE RHINE – We (Karin, Linford, Jake Bradley, Kenny Hutson, and our very own surprise guest, drummer and percussionist, Mickey Grimm) will be playing concerts throughout the trip, raising glasses to and with our friends (old and new), and watching some of our favorite parts of the world go by…

SWAN DIVE – Songwriters, Bill DeMain and Molly Felder, (and Molly’s husband, Mickey Grimm) will delight you with their harmonies and beautifully-crafted pop songs. Bill and Molly have performed and collaborated with many of Nashville’s most gifted. You will soon come to appreciate their generosity as both musicians and curious human beings… (swandive.org)

LUCY WAINWRIGHT ROCHE – Lucy grew up in Greenwich Village, New York City, the daughter of Suzzy Roche of The Roches and Loudon Wainwright III. Her childhood was spent living out of a suitcase, either on the road with her parents or being ferried around to different relatives in her big musical clan – one of the most storied musical families in North America.

We have had the privilege of touring with and getting to know Lucy. We love her songs, her clear-as-a-bell voice, her instinct for a great story, and her unforgettable sense of humor. You will too.

(www.myspace.com/lwrlwr)

MICHAEL WILSON – is an American photographer and music lover who has photographed a wide array of songwriters and artists – Lyle Lovett, John Hiatt, Emmylou Harris, BB King, Andy Warhol, Joe Henry, Randy Newman – and many, many others. His photographs have figured prominently throughout Over the Rhine’s recorded catalog, and Karin and Linford have cited Michael as one of their most important influences, musical and otherwise. Michael will be presenting his work throughout the week and has generously agreed to make individual portraits of all who board the train – an amazing keepsake. Those interested will also have the chance to hop off the train at various times, cameras in hand, and make photographs with Michael. (michaelwilsonphotographer.com)

LYNN NEAL – It just so happens that our naturalist on board, who will be available to illuminate much of what we’re seeing, answer questions, provide some historical context etc is a Barnesville High School graduate from Barnesville, Ohio, and former classmate and friend of Karin’s. Lynn now resides and works and conducts research in Arizona, and has a contagious, memorable sense of humor as well. We’re so happy it worked out for her to ride along.

MICKEY GRIMM – Mickey deserves his own category. He recorded and toured with Over the Rhine the last several years, but has recently gone into semi-retirement to be able to spend more time with his family in New Harmony, Indiana. Few people have made us laugh more than Mickey – and we realized we had to get him on board so that all could experience his storytelling and flare for the colorful and absurd. Not to mention his general sweetness and considerable talents.

This ride is a lot to pull off, and a little bit crazy, frankly, in a hopefully beautiful way – but if you’re willing, we think it has the potential to be quite amazing. (Much like life itself.) Hope to see you.

Again, check out OvertheRhine.com for more. (And more updates soon.)

Whew. I think that’s about it for this one.

xo,

L&K

PS Please share the above with friends and family near and far, print out the pages and wrap fish and chips in it, line the soles of a vintage pair of cowboy boots with the words, read short excerpts over a cell phone discreetly on a rattling street car, tweet your sweet, slip a rain-soaked copy into a Methodist hymnal or a New York Times, and finally, our favorite, line the bird cage with the pages and let the white doves crap all night long.

Cheyenne Marie Mize, Thomas A. Minor & The Picket Line, The Spinning Leaves @ Skull Alley (08.14.2010)

i attended a temendous night of (mostly) local music last night @ skull alley, a great little dive joint (music venue and screen printing shop) with great sound and an attentive audience of music lovers, musicians and the tragically hip.

the evening kicked off with the heavy bass lines of “ain’t no doubt about it” from the always fun and entertaining “thomas a. minor and the picket line,” the set was culled mostly from their recently released and excellent self titled disc. i have really enjoyed listening to these guys since i discovered their music a year or so ago. they were followed followed by michael baker, half of the philadelphia based “the spinning leaves” (barbara gettes, his partner was called home earlier in the day due to her father having a heart attack saturday morning). michael played about half his set solo and was joined by members of “the picket line” and cheyenne mize for the balance of his set. obviously, due to the circumstances of his partner being gone and other musicians joining in, the setlist was shaken up and a bit loose, but nonetheless, very entertaining and enjoyable. kudos for michael for going “on with the show” and making it work.

the evening was closed-out by the always wonderful, incredibly gifted cheyenne mize, delivering a partial set solo and joined on and off by her “maiden radio” bandmate joan shelley and wax fax drummer, kevin ratterman.

cheyenne split her time on electric guitar, banjo, and keys, interestingly, no fiddle, which she is primarily known for (though she did play fiddle and sing harmony on the picket lines entire set). her set was a nice split of music from her recent release “born lately” and several new songs, including the very nice rocker, “keep it to yourself.” this girl is gonna be big. remember, you heard it here first.

a sweaty dive, good people and great music…perfect way to spend a saturday night.

cheyenne performing “keep it to yourself” from an earlier show @ skull alley

thomas a minor and the picket line (@ ear x-tacy)

more pictures @: http://picasaweb.google.com/bivester

New Additions to the Music Collection

not much happening on my live music front right now, so here’s a couple of new purchases…


an absolutely beautiful piece of work. produced by joe henry.

As a producer, bandleader, arranger, songwriter, session musician and all-around musical eminence, Allen Toussaint impacted the New Orleans music scene of the Sixties in much the same way that Dave Bartholomew had in the Fifties. Toussaint, in fact, apprenticed under Bartholomew at sessions for such legends as Fats Domino, so it was a seamless transition when the R&B baton passed between generations in New Orleans. Born and raised in the Crescent City, Toussaint left his stamp on the city’s contemporary R&B scene. His greatest contribution was in not allowing the city’s old-school R&B traditions to die out but by keeping pace with developments in the rapidly evolving worlds of soul and funk. In addition, he brought the New Orleans sound to the national stage, and it remains a vital and ongoing part of our musical heritage to this day.

Toussaint came into his own as a studio auteur for the Minit and Instant labels from 1960-63. He produced, arranged and sometimes wrote a string of classic sides for such New Orleans R&B artists as Lee Dorsey, Jessie Hill, Ernie K-Doe and Chris Kenner. Many listeners heard New Orleans-style piano for the first time via Toussaint’s playing on Ernie K-Doe’s #1 hit, “Mother-in-Law.” “Fortune Teller,” written pseudonymously by Toussaint and recorded by Jessie Hill, became a virtual standard among British Invasion bands. The early Rolling Stones and Who, among others, included it in their live repertoire.

As writer Ed Ward put it, “Toussaint was the main exponent of what the locals called the carnival sound-a raucous, polyrhythmic beat that was solid but complex, like a rhythm and blues rumba crossed with the second-line rhythms of Professor Longhair.” Toussaint’s run was interrupted by a stint in the army from 1963-65. Upon returning to New Orleans, Toussaint picked up where he left off, forming Sansu, a production company, with partner Marshall Sehorn. A string of soul/R&B singles from singer Lee Dorsey followed in 1965-66, including “Ride Your Pony,” “Working in the Coal Mine” and “Holy Cow.”

Toussaint also groomed a quartet of top-drawer New Orleans musicians known as the Meters. They served as the Sansu house band while releasing funky instrumentals under their own name. In 1973, Toussaint and Sehorn built their own Sea-Saint studio, which attracted local musicians like Dr. John (“Right Place Wrong Time”) and the Neville Brothers, as well as established stars like Paul McCartney, Paul Simon and Robert Palmer. Labelle recorded their 1975 chart-topper “Lady Marmalade” at Sea-Saint with Toussaint. In addition to his endless resume of productions, various Toussaint-penned songs-published under his own name and the pseudonym Naomi Neville (his mother’s maiden name)-have been covered by such notables as the Rolling Stones, the Yardbirds, Bonnie Raitt, Boz Scaggs, Little Feat, Al Hirt, Herb Alpert and Glen Campbell.

It’s worth noting that although he was inducted in the “nonperformer” category, Toussaint is a talented pianist and performer who has recorded under his own name. His solo discography includes an instrumental album, The Wild Sound of New Orleans by Tousan, released in 1958. Two of his early instrumentals later became standards for other artists. “Java,” by Al Hirt, hit #4 in 1964, and “Whipped Cream” served as the title track of the third album by Herb Alpert and the Tijuana Brass, which topped the album chart for eight weeks in 1965. Toussaint also cut a trio of sleek, contemporary R&B albums for Warner Bros. in the Seventies. His induction into the Rock and Roll Hall of Fame came two days after his 60th birthday and two years after he launched a new label, NYNO.


prine. live. enough said.

Josh Ritter w/Tift Merritt @ The 20th Century/Cincinnati (08.04.2010)

two of my favorites artists at one of my favorite venues in one of my favorite cities, a match made in heaven. or at a minimum, a damn fine evening of music.

i have been a fan of tift merritt since i stumbled on her first record “bramble rose” in ear x-tacy back in 2002, to this day, it is still one of my favorites and always among the highest in play counts on my i-pod. honestly, not a mediocre on song the disc. go buy it if you don’t already own it (and while you are at it, do yourself a favor and go ahead and pick up “tambourine,” “another country” and “see you on the moon” too, you won’t regret it).

i have seen her perform many times, the last being just a week ago in front of a huge crowd here on the banks of the ohio river at WFPK’s waterfront wednesday. tonight, in her role as supporting act for josh ritter, it was tift solo and acoustic, and it was wonderful. the crowd was mostly there for josh and new to tift and her music. with her charm, grace, voice and lyrics, she won them over and had the sold out crowd in the palm of her hand immediately.

she performed for about 30 minutes and mostly from her new record “see you on the moon,” but graced us with a beautiful “unplugged” and un-miked version of “supposed to make you happy” (from bramble rose) to a quiet, still crowd that was just stunning.

if you are unfamiliar with tift, do yourself a favor and get familiar with her. stat.

http://tiftmerritt.com

i will admit, i was late to the josh ritter party, but i’m sure glad i finally made it. better late than never as they say.

i first saw him two years ago at WFPK’s “waterfront wednesday,” i had heard the name for years but for some reason, just never checked him out. that show changed all of that. he is a performer that, while produces great work “on record,” really must be seen live to be truly appreciated.

there is an absolute joy that radiates from him and his band that is infectious, from the second they step on stage ’til they exit the venue, they are totally enjoying what they do and in turn, you do to. it’s hard to see this man walk up behind a microphone at the beginning of a show and not have a smile appear on your face. james taylor had a record called “dad loves his work,” that perfectly describes josh, as is often said, but rarely lived up to (imho), “they leave it all on stage.”

i have seen him/them four times now and i was impressed that first night, and yet i continue to be more and more impressed each time i see them. i was lucky enough to meet and chat with him several months ago at ear x-tacy and found him to be incredibly sincere, open and generous with his time. he is the only artist that i have met that early in the conversation, looked me in the eyes and asked; “so tell me about you…what do you do? who else do you listen to?” and as our discussion ended, rather than a handshake, he gave me a friendly hug followed by a sincere “thank you, i appreciate you listening and your support.” as i’ve said regarding few (very few) artists, he “gets it, i’m not sure what it is, but i know it when i see it and he get’s it.

they are touring to support their new (and excellent) record, “so runs the world away,” and the disc was well represented, they always pull pretty deep from their catalog too, and last night dropped in a john prine cover (a welcome addition to any artist’s set), “mexican home” in reference to the day’s insane heat (a 100 degree day, w/typical midwest humidity).

josh is a great singer/songwriter, backed by a great, tight band that truly love what they do, and love sharing it with a roomful of like-minded souls.

check out more @: http://joshritter.com

more pictures @: http://picasaweb.google.com/bivester

mmm boppin’ (w/Hanson) @ ear x-tacy (08.02.2010)

“mmm bop”…poor guys, that will always be the punch line…

i saw hanson tonight, yep hanson. well actually, i shot a few pictures for ear x-tacy where they were doing an in-store performance and autograph/meet and greet session.

in all honesty, they were a decent pop band, much better than what i expected (which admittedly, wasn’t very much) and much stronger than most stuff that is popular and passing as pop music today. had they not been the pre-jonas bros or pre-beiber “pop-star idols” in their early teens and just hit the business today, based on what i heard tonight, they would probably be taken much more seriously. all three were very good players and they threw out some pretty nice vocals & harmonies on several solid pop songs.

in short, i don’t see myself picking up a cd or buying a concert ticket in the near future, but no, they didn’t suck and are serious musicians that probably deserve a lot more respect than they’ll ever get with that “mmm bop” teen idol albatross hanging around their necks.

they also seem to be good “kids.” they hung around longer than expected after their set to sign as many autographs and meet as many of their fans as possible (and there was a lot of them, the line was wrapped around the store), then rushed over to headliner’s for their show.

more pictures @: http://picasaweb.google.com/bivester

Wax Fang kicks off ear x-tacy’s 25th Birthday Celebration

wax fang kicked off ear x-tacy’s 25th birthday celebration tonight with the first in-store performance in their new location (just 1 mile up bardstown road from their previous digs). while i loved the funky old place, the new one is coming along nicely and the permanant stage and much improved sound system is a nice step-up from the old joint.

as a show of support for local music, john timmons, the owner of ear x, personally selected wax fang as the premiere act to play in the new store. that show of faith was rewarded by a huge crowd, by in-store standards (i’m guessing 250-300), that was very appreciative supportive of both the band and the store. while they have been getting a lot of buzz lately, this was my first time seeing them play and i enjoyed their set a lot. they were recently chosen by my morning jacket to open their upcoming show in the new “yum center” (downtown arena) in november. i was mostly unfamiliar with their music, but to put it simply, these guys rock harfd and are a real “power trio,” they push out a lot of sound for a three piece band.

the band consists of; scott carney (on guitars, vocals), jake heustis (bass), kevin ratterman (drums), to get more info on them, check out: http://waxfang.com

more on ear x-tacy @: http://www.earx-tacy.com/

more pictures @: http://picasaweb.google.com/bivester